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Emerald Tides: Shifting the Ombre Obsession

Ombre Inspiration

If you’ve seen my work before, you know I’ve been harboring a quiet love for ombre. It’s not so quiet anymore—Twilight Ombre, Ombre Origins, and Starlit Showgirl are all proof that this color fade thing has me in its grip.

Switching Up the Colors

But lately, I felt the need to move away from the pinks and purples that kept reappearing. Emerald Tides was meant to be my experiment with blues and greens—a little change, a little risk.

The Two-Frame Start

The first few photos in the set say a lot: I started with two blank frames, full of optimism and big plans to tackle both Starlit Showgirl and Emerald Tides at the same time. The idea was noble; the reality was… ambitious. Once I got to the step of placing all the tiny wood pieces, my enthusiasm dropped sharply. That part always takes longer than it should (seriously, how does it eat up hours every time?). So—one thing at a time. Emerald Tides won out and got my full focus.

Two hand-built blank wood frames side by side, prepared for Shou Sugi Ban wall art project.
The starting point—two custom wood frames ready for geometric transformation.

Cutting, Arranging, and Glueing

Cutting and arranging those pieces is always more meditative than I expect. There’s an initial mess, a sense that I’ll never get them all to line up, but eventually, some order emerges. When the arrangement was finally done (after way too many rearrangements), I glued everything down. Cue relief.

Sorting and arranging wood pieces—some charred, some raw—onto two art frames for a Shou Sugi Ban mosaic.
Organizing a mix of charred and raw wood pieces, planning the geometric layout for each frame.
Cutting wood pieces on a miter saw for Shou Sugi Ban geometric wall art.
Precision cutting each piece for the Shou Sugi Ban geometric mosaic.
Final arrangement of wood pieces for Shou Sugi Ban geometric mosaic art.
Geometric wood pieces in their finished layout, ready for gluing, charring, and painting.
Liquid Nails heavy-duty glue held in front of Shou Sugi Ban geometric mosaic wood pieces before assembly.
Securing each wood piece with heavy-duty glue for a solid mosaic foundation.

Color Testing & Burning

Next came color testing. I leaned into blues, greens, touches of turquoise—shifting away from my usual palettes of pinks and purples to try something new. All the edges and raw wood got burned, adding texture and character.

Color testing with paint samples beside Shou Sugi Ban charred wood mosaic in progress.
Testing blues, greens, and turquoises for the perfect ombre blend in wall art.
Close-up of wood being charred with a torch, showing the process of Shou Sugi Ban technique.
Torch in action: Shou Sugi Ban charring adds dimension.
Wooden pieces with burnt edges created using Shou Sugi Ban technique for added texture.
Burnt wood edges add character and contrast.

Painting & Glitter Rivers

Starting to paint always gets my nerves going (what if I mess it up?), but honestly, you can’t really ruin this. That’s the beauty of it. I spritz the wood with water—not just because it feels artsy, but it actually helps me control how much color soaks in. The wetter the wood, the softer the color (and if it turns out too light, I just add more later). Spray, paint, let the colors wander and blend—no stress, just follow the flow.

Spray bottle and assembled Shou Sugi Ban wood mosaic, prepping the surface with water before painting.
Prepping the wood with a light mist—helping ombre paint layers blend smoothly.
Applying blue and green ombre paint to Shou Sugi Ban charred geometric wood art.
Painting starts: Blue and green ombre pigments are layered onto the charred wood mosaic.
Geometric wood mosaic in progress with blues and greens applied over Shou Sugi Ban charred wood.
Progress shot: deepening blues and greens in each section of the mosaic.
Green and blue pigments layered onto Shou Sugi Ban geometric wood mosaic.
Building ombre layers—greens and blues blending across the textured wood.

Normally, I’d go full sparkle overload—glitter all the things! But with Emerald Tides, I had to show a little restraint (which, let’s be real, is not my strong suit). We carved “rivers” into the wood, laid down lines of glue, and then carefully sprinkled the glitter—just enough to make those rivers shine without hijacking the whole piece. The sparkle is there, catching the light, but I didn’t let it run wild (this time, anyway).

Green ombre Shou Sugi Ban wood mosaic with Elmer’s glue rivers carved and ready for glitter.
Grooves filled with glue in the green ombre section, ready for sparkly river accents.
Green glitter applied to glue-filled river grooves on a Shou Sugi Ban geometric wood mosaic.
Green glitter settles into the glued river grooves, creating shimmery accents across the mosaic.

Finishing Touches & Farewell

When the colors felt right, poly sealed the deal and Emerald Tides took her final studio bow. She went up in the Etsy shop and just recently found her new home—gone, but hopefully appreciated for her calm ombre energy and the hours she stole from my schedule.

Close-up of Shou Sugi Ban wood mosaic with blue-green ombre, next to a can of Minwax Polycrylic protective finish.
Polycrylic finish—protecting the colors and texture of the completed mosaic.
Freshly finished Shou Sugi Ban geometric wood mosaic with blue-green ombre, drying on a worktable.
Emerald Tides, newly finished and ready for her final reveal.
Shou Sugi Ban geometric ombre mosaic wall art displayed above a modern table with an aloe plant.
Emerald Tides featured as a Shou Sugi Ban geometric ombre mosaic in a natural home setting.
Finished Shou Sugi Ban geometric wood wall art with green and blue ombre, displayed above a table.
Emerald Tides: Finished Shou Sugi Ban ombre wall art, ready for her new home.

Thank You for Following Along

Thanks for hanging out with Emerald Tides—start to finish, glitter rivers included! If this ombre adventure has your curiosity (or your creative spirit) in its grips too, you’re definitely in the right place. Stay tuned, there’s always another project (and probably another ombre) on deck.

Is ombre calling your name? Do you have a fade you’re obsessed with, or a color combo you want to see get the ombre treatment? Drop your ideas or questions in the comments—let’s see if ombre has you hooked too!

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